Fall 2026

148 C A R M E L M A G A Z I N E • F A L L 2 0 2 6 Ken Shue’s meticulously designed and maintained Monterey studio consists of three distinct workstations where he spends his work- ing hours creating unique, compelling abstract and figurative paintings. Every tool is neatly arranged and close at hand, a system that’s the result of decades of his daily practice of drawing and painting.